I definitely agree that moving to 'ones' gets a much more mousy, twitchy feel. It's waht we recognise as a mouse sniffing and thus creates direct empathy with your audience. By improving the timing you have heightened the animation principle of appeal. Really good that you did not stop after a few satisfactory comments. Go with the gut! Animate with your instincts. Can you make it even better in the next one?
That's awesome! I think this is the greatest! I think this is an excellent animation and that is a truly artistic critique, it's very good animation. I also like the extra painted floorboards and walls etc. I like two's though!
I definitely agree that moving to 'ones' gets a much more mousy, twitchy feel. It's waht we recognise as a mouse sniffing and thus creates direct empathy with your audience. By improving the timing you have heightened the animation principle of appeal. Really good that you did not stop after a few satisfactory comments. Go with the gut! Animate with your instincts. Can you make it even better in the next one?
ReplyDeleteThat's awesome! I think this is the greatest! I think this is an excellent animation and that is a truly artistic critique, it's very good animation. I also like the extra painted floorboards and walls etc. I like two's though!
ReplyDelete